A Feminist Perspective of Kate Chopins The Story of an Hour Essay

A Feminist place of Kate Chopins The Story of an bitKate Chopin employs the tool of irony in The Story of an Hour to carefully convey the problem inherent in womens unequal eccentric in marital relationships. Chopin develops a careful plot in coiffure to demonstrate this idea, maven not socially pleasant at the lay off of the 19th century, and unfortunately, a conception that still does not appreciate general acceptance today, 100 years later as we near the repeal of the 20th century. Louise Mallards death, foreshadowed in the initial line Knowing that Mrs. Mallard was untune with heart trouble takes on quite a different signification when the plot twists and the context of her sudden death is presented unexpectedly, not upon her shock at her husbands death, but instead in her inability to endure the fact that he lives. While Chopins employment of irony presents a socially unaccepted concept in a more acceptable format, it is the authors use of perspective that increases the disturb of her message. Chopins point susceptibility be lost, perhaps entirely, if the reader were not apprised from Louises viewpoint. While the other characters are oblivious to her actual rapture in death, although it is described as such When the doctors came they said she had died of heart disease - of joy that kills, their definition of this joy equates to her love for her husband. In contrast, because Chopin writes from the perspective of Louise, we understand that the sporadic love she feels for her husband, love itself dismissed as the unsolved mystery, pales in comparison to the joy she feels upon the discovery that she can now live with the possession of assumption which she suddenly recognized as the strongest impulse of her being. ... ...for his wife Louise, Chopin writes to stress the questionable assumption inherent in an unequal relationship in which one individual exercises their powerful will to bend others. Louise Mallard finds personal peculiarity in her husbands death, ready to face the world as a consentaneous person She breathed a quick prayer that bread and butter might be long. It was only yesterday (prior to her husbands death) she had thought with a shudder that life might be long. The strength conveyed in the image of Louise carrying herself unwittingly alike(p) a goddess of Victory is unmistakable. However, the irony that her husband lives, and therefore, she cannot, conveys the limited options socially acceptable for women. Once Louise Mallard recognizes her desire to live for herself, and the impossibility of doing so at bottom the bounds of her marriage, her heart will not allow her to turn back.