Tales of a Strange Love in Dr. Strangelove Essay -- Dr. Strangelove Es

Tales of a Strange Love in Dr. Strangelove Dr. Strangelove , contractmaker Stanley Kubricks thermonuclear war satire, portrays Americas leaders as fumbling idiots and forces American viewers to fountainhead the ability of their government. Dr. Strangeloves cast explores the quirks and dysfunctional personality traits that a layperson would attend far-fetched in a person of power. The characters are diverse yet unified in their unfailing stupidity and naivete. The films hysterical dialogue sheds a in darkness comic light at the around ironic of times-war. This film came come forth at a height of paranoia of the nuclear age and the Cold War, dear after the Cuban Missile Crisis. It depicts a horrible, tragic incident in which a breach in the government and diplomatic mistakes result in nuclear holocaust. General Ripper, a psychotic anti-Communist, exploits a loophole in the strand of command and orders nuclear warheads to be dropped on Russia. Ripper, in a present moment of humor, explains his motivation-most likely gleaned from bits of red propaganda he has internalized I can no long-run sit back and allow Communist infiltration, Communist indoctrination, Communist subversion, and the global Communist conspiracy to sap and impurify all of our precious bodily fluids. He elaborates further citing the Communist fluoridation of U.S. drinking water as the most dangerous of Soviet plots to infiltrate and destroy the American people. With all the sense of a Joe McCarthy, Ripper is prepared to begin and accept the consequences of a nuclear war. The threatening disaster is soon brought to the attention of Americas President Muffle and his team of open advisers, who quickly prove themselves worthless wastes of space. The President scr... ...ar. By presenting war with humor, the film conveys just how much of a farce the nuclear arms campaign really was. The extreme views of the characters arent fiction Baby Boomers, for example, can recall debates somewh at acceptable civilian losses in the event of a go wrong being dropped. Kubrick satirizes this time period wonderfully, capturing the insanity of a world at peace(p) mad. The key question of the film really is who is running the mad fellowship? In a world where world leaders scramble and brabble childishly and take advice from Nazi Germans, a world where bombs can be dropped at the will of a psychotic general, one seems better move out to recline and laugh at the pure insanity of it all. Works Cited Dr Strangelove or How I Learned to Stop Worrying and Love the Bomb. Dir. Stanley Kubrick. Perf. Peter Sellers and George C. Scott. capital of the United Kingdom Columbia Pictures, 1964.