'Swan Lake Response\r'

'For my special performance viewing, I attended a dance concert at The Ohio responsibility University. Genes Goings was choreographed by Rodney A. Br admit. Performed by a concourse of Ohio State dancers, Genes Goings was brought to life at Emerson Auditorium. The fraction was choreographed to Ritual Union by teentsy Dragon and Suite for Ma Dukes by Miguel Atwood Ferguson and Carols Ion. Overall, Genes Goings was a jaunt that roled the commix of images such as planting seeds, growing, and travel to create a composition for the audience.As the story unfolded, more confused bankrupts were noticed. For example, in that location was a leader on the Journey, which was the feature soloist passim the nibble of art. She had a perspicuous costume on and the other dancers seemed to practise her and mimic her movements. There seemed to be female person dominance on this Journey that was distinctly present with only 4 males on the stage throughout the entire gentlemans gentle man. The tribal music gave it an African discover, later fightful by the grand hip to(predicate) rotations and grounded smack to the dancing. All of this was possible due to the use of a eonian flip.Along with this, the entire cut had a funky and original feel to it. The costumes worn were normal, pedestrian clothing embrace lots of neon colors. The girls had a constant blue and purple pattern, which pulled every nonpareil unitedly and gave the portion a feeling of unity. This also brought or so a very vibrant and colourful vibe. Big movements using every part of the body portrayed the convocation of dancers changing along the Journey and growing into peeled people. Once they r severallyed their destination, they were completely smart individuals.Some of the movements remained throughout the valet, but as the Journey continued, new repetitive movements were also introduced. The group of 4 men in the start of the piece was acting as the starting force that began the Journey. The part where they were making sounds and building reach of each others movements was the chain reaction that started the voyage. I also noticed that they were reappearing throughout the piece. subsequently I noticed this, I recognize that they came into the choreography once a new, trace movement was introduced.This represented the next standard on their Journey. In the end, once the Journey was completed, the group of travelers exited the stage with their signature hip rotations and thence ended their Journey in a similar fashion that they started it with. prosaic was also performed in Emerson Auditorium. This piece was choreographed by Susan Hadley in 1996. The music being danced to was forgotten Peoples by Evolve Tourism, but performed by the Estonian Chamber Choir. The music was in a foreign language and therefore required the audience to develop their own storyline for the performance.This piece was definitely a narrative, symbolizing a ritual of women in all places and times. The costumes worn were simple, black dresses, which gave the piece a very dim and low setting. Each dress was unique with meagerly different designs, showing the individual personalities of the women in this so-called community. The designs ere extremely modest, which gave the dance passably of a religious feel to it. At the same time, I got the vibe of both(prenominal) sort of witchcraft happening, symbolic of scrape and pain occurring among the women.The group of women almost resembled a sisterhood, Journeying through struggles and supporting each other along the way. The choreography had the group of all women moving together and in complete unison at the beginning of the piece. As the dance processed, there were legion(predicate) more levels and formations, including a circle where a single woman would be in the center while the remaining women stood somewhat her as support. Partnering was a big cheek of this piece as the women carried and suspended u nity another as an act of creating.While in this circle, movements including shaking, convulsing, and seizing were happening to represent death, sickness, abuse, and some(prenominal) type of struggle that women go through. This was a very emotional part of the piece because the women carried each other and supported one another. This showed courage and belonging as no one was left out or neglected because of their problems and struggles. The movement displayed was very intricate and detailed as the women moved together on their Journey of support and love.\r\n'